Sir Leslie Jennings on the hardware, software, synthesizers, DAWs, drum machines, and tools shaping music production. New posts every Monday, Wednesday, and Friday.
Parts 1 and 2 of Crossing the Line Episode 1 are live on YouTube. Catch up in under six minutes before Part 3, The Proposal, drops Sunday, November 15.
Read Post →Elvis Presley's rights holders and Eminem's publisher have sued Suno. What the reporting confirms, what is only one outlet's detail, and what it means for working creators.
Read Post →A generated vocal sounds pasted on when it lives in a different space than the music. Five tool-agnostic mixing moves that make it sit.
Read Post →The MWHQ Song Factory now pulls its finished audio back and measures tempo and key against the brief. The first audit cleared 14 of 20 and flagged 6 — and the pattern in those six is worth knowing before you call a song finished.
Read Post →Suno is fighting to put Apple on the stand in the Universal and Sony case. What was filed, what is unverified, and what it means for creators.
Read Post →ElevenMusic can regenerate one section of a song and keep the rest. The workflow, the plan limits, and the walls to know first.
Read Post →The Crossing the Line world premiere is set for New Year's Day 2027. The full free road to it: daily teasers, Episode 1 in four November parts, and your RSVP.
Read Post →Reservoir filed two AI copyright suits on October 21. What the complaints allege, what is not yet proven, the other side of the table, and what it means for working creators.
Read Post →A chorus lands through contrast, not volume. Five tool-agnostic arrangement moves: subtract before it, widen it, change the rhythm, add a counter-line, and automate the energy across the song.
Read Post →Revid AI is now a three-level Academy course and a 65-page guide. Why we teach the credit ledger first, what each level covers, and the walls to know before you spend.
Read Post →Deezer announced a toggle that hides fully AI-generated music from search. What was confirmed, what is not, the counter-argument, and how to position your releases.
Read Post →An even-handed look at Udio and Suno: where Udio's section-by-section control wins, where Suno's vocals and speed win, the walls on both sides, and the case for running both in one pipeline.
Read Post →The Digen workflow behind every MWHQ Short: start from a reference image, lock the settings, write the prompt once, and name and route every clip the same way. Plus the walls of the pipeline.
Read Post →Italy's competition authority opened a probe into Suno's terms of service on October 6. What was announced, what is not confirmed, and three things to do with your tracks now.
Read Post →Generated music often sounds flat and pasted-on. Five tool-agnostic depth moves: pick one room, use reverb and delay sends, add pre-delay to keep the vocal forward, filter your returns, and automate the space between sections.
Read Post →Character drift is the number-one tell in AI music video. Five tool-agnostic moves that hold a character together: lock a reference, pin start and end frames, repeat your wardrobe and lighting language, shoot coverage in one sitting, and cut around what you cannot fix.
Read Post →Sony Music says it has asked platforms to remove more than 260,000 AI deepfake tracks — nearly double March. What was reported, what is still unconfirmed, and how to protect your own voice.
Read Post →ACE Studio turns MIDI and lyrics into a lead vocal you can mix. The workflow, the controls worth touching first, where it still sounds synthetic, and what to do about it.
Read Post →Google Labs published six creator-built Flow tools on September 23. Three touch music video: Mondo Sónico for foley and ambiance on separate tracks, CaptionCast for animated multilingual captions, and ThumbnailForge for social thumbnails. Plus the draft-first workflow, and the walls.
Read Post →Warner, BMG and Believe all signed licensing deals with Suno. Universal and Sony just filed a $9 billion lawsuit instead — and are using those very deals as evidence against it. What the case claims, and what it means for the tools you use.
Read Post →Most prompts fail before a single note generates. The four-part frame that actually works across Suno, Udio, Soundful, and Stable Audio: sonic reference, structure, performance, production.
Read Post →Two new Academy tracks, two new guides. Suno Studio 2.0 is a browser DAW with generation built in; Soundful is a scoring engine with no vocals by design. What each does, what each will not, and how to pick yours.
Read Post →Reason 14 moved the Rack inside the track. Five moves worth making this week — work from the Track Panel, switch sorting to Rack per Track, arrange in Track Folders, run one RV-9 instead of five reverbs, and turn on the small settings before you import.
Read Post →Forty new tracks a night across five MWHQ acts, and the library just crossed 3,671 records. But the quality gate that rejected four of twenty on a single character is the part worth copying.
Read Post →UMG licensed its catalog to ElevenLabs on September 10 — the AI company's first major-label deal. What was actually announced, what is still unconfirmed, and why the authorized-AI line now decides whether your record can chart.
Read Post →Huge on headphones, gone on a phone, mud in the car — that is a low end with no plan. Five tool-agnostic moves that fix it: assign the bottom, high-pass everything else, keep the sub mono, sidechain for space, and trust the worst speaker you own.
Read Post →Suno launched v6 and is retiring every previous model. Three models plus an undocumented custom-model beta, a prompt box that now edits instead of generates, and licensed training data from Warner, BMG and Believe — that does not cover the plaintiffs still suing.
Read Post →The M.U.S.I.C. Academy now runs 36 complete three-level tracks and 108 course levels — AI music generators, DAWs, hardware, voice and AI video. Here is how to read the catalog and pick the one lane that actually moves your music forward.
Read Post →Suno capped downloads on September 3 — 20 a month on Pro, 60 on Premier, 7 lifetime on free. Here is what the caps actually do, the Spotify AI Persona badge most people are misreading, and why the Isbell lawsuit should change how you prompt.
Read Post →RipX pulls a mix apart into individual notes you can grab, move, retune, and rebuild. Five moves worth learning first — and where RipX actually belongs in your production chain.
Read Post →Stable Audio 3 is now in the M.U.S.I.C. Academy — a 70-page guide plus all three levels. It is open-weight, trained on licensed data, and built for instrumentals, stems, and sound design rather than vocal songs. Here is when to reach for it.
Read Post →Five fixes that make a generated vocal sound like a person actually sang it — separating the stem, killing the sibilance, putting the vocal in a room, doubling it imperfectly on purpose, and riding the fader so it breathes.
Read Post →Two new 3-level ladders are live in the Academy — Mubert for instant royalty-free tracks, freebeat for beat-synced music videos. Here is how to run them together.
Read Post →Five MPC sampling moves that turn a four-bar loop into a beat that actually holds a listener — chopping on the transient, programming ghost notes, one filter move per section, and resampling your own bounce.
Read Post →Reason 14 is now in the M.U.S.I.C. Academy with all three levels live, plus a new store guide. Here is what shipped and what is coming next.
Read Post →Four practical Ableton Live 12 moves that turn loops into finished arrangements — from Capture and Insert to freezing groups before your CPU gives out.
Read Post →AIVA is now live at MWHQ — a 79-page user guide plus all three Academy levels. Here is why it earns a place next to Suno instead of replacing it.
Read Post →Five practical Roland TR-8S programming techniques — accents, shuffle, sub-steps, motion and A/B variation — that turn stiff patterns into grooves that breathe.
Read Post →The new Sir Leslie Jennings and C-4 studio Shorts series is live on YouTube, and the MWHQ catalog just passed 489 videos. Here is what is dropping next.
Read Post →Suno introduces tiered download limits and new Terms of Service on September 3, and the caps apply to songs you have already made. What changes, what you still own, and what to do before the deadline.
Read Post →Unlock professional-sounding AI music in Suno v5.5 with these five production tips from the M.U.S.I.C. Academy.
Read Post →Google Flow is now in the MWHQ Academy — the guide plus a 3-level course covering Google’s AI music composition platform are live today.
Read Post →A full AI-powered production system is creating, publishing, and distributing original music every single day. Sir Leslie Jennings goes inside the MWHQ machine.
Read Post →The difference between students who stay stuck and students who move fast comes down to a few consistent behaviors. Sir Leslie Jennings breaks down the three habits to build in your first 30 days.
Read Post →Structured prompts, section tags, and Persona saves — three Suno v5.5 features that separate demo sessions from real production workflows.
Read Post →Sir Leslie Jennings takes the stage with Starban at Thurber Park in Columbus, Ohio. Saturday, July 11, 2026 at 7:30 PM. 55 Jefferson Ave. Come feel the music live.
Read Post →Aiko Doun, Azia Blac, and Megan Muni arrived as background vocalists. They leave as LOVE — and their debut single is out now on all major platforms.
Read Post →M.U.S.I.C. World HQ officially announces the release of the debut single from LOVE. Available now on all major streaming platforms via DistroKid.
Read Post →10,000,280 total plays on N1m.com — and "Pull Me Close" just hit #1 on the N1M R&B Chart. A milestone moment for MWHQ and everyone who pressed play.
Read Post →Studio One is gone. Fender Studio Pro is here. What changed, what stayed the same, and whether producers should care.
Read Post →Register free and we'll send you "Cool" — an original MIDI composition by Sir Leslie Jennings. Plus new music technology posts every weekday, Academy access, and creator tools.